Skip to Main Content
The Columbia Chronicle
YouTube
Spotify
Instagram
Facebook
Submit Search
Search
Open Navigation Menu
The Columbia Chronicle
Home
About
About
Staff
Artist Submission
Employment
Contact Us
CAMPUS
METRO
OPINION
Editorial
Op-Eds
ARTS & CULTURE
LA CRÓNICA
Multimedia
Podcasts
GALLERIES
Chronicle TV
VIDEO
Newsletters
More
The Columbia Chronicle
Open Search Bar
Search this site
Submit Search
Open Navigation Menu
The Columbia Chronicle
Home
About
About
Staff
Artist Submission
Employment
Contact Us
CAMPUS
METRO
OPINION
Editorial
Op-Eds
ARTS & CULTURE
LA CRÓNICA
Multimedia
Podcasts
GALLERIES
Chronicle TV
VIDEO
Newsletters
More
The Columbia Chronicle
Open Search Bar
Search this site
Submit Search
All content by Film Critic
Avengers and geopolitics won’t cooperate
By
Film Critic
Irish lad Ferdia Peelo-Walsh on ‘Sing Street’
By
Film Critic
‘Sing Street’: A dull coming-of-age tale told in vibrant technicolor
By
Film Critic
‘Green Room’ director Jeremy Saulnier talks Nazi punks
By
Film Critic
Neo-Nazi punks raise hell in indie thriller ‘Green Room’
By
Film Critic
Terrence Malick Producers raise their glasses to “Knight of Cups”
By
Film Critic
War: WTF is it good for?
By
Film Critic
Author Kim Barker says ‘WTF’ about the war on terror
By
Film Critic
‘Touched with Fire’ remains lukewarm
By
Film Critic
Robert Eggers discusses resurrecting age-old terror in ‘The Witch’
By
Film Critic
‘The Witch’ ditches cabin in the woods
By
Film Critic
‘Touched with Fire’ director Paul Dalio talks art, love and madness
By
Film Critic
The innocence of Michael Bay: a review of ‘13 Hours’
By
Film Critic
Watered-down characters sink ‘In the Heart of the Sea’
By
FILM CRITIC
‘Misery Loves Comedy’ in new documentary
By
Film Critic
‘The Gunman’ shoots blanks
By
Film Critic
Jake Gyllenhaal goes all-in for psychological ‘Nightcrawler’ role
By
Film Critic
‘Men, Women & Children’ has connectivity problems
By
Film Critic
‘Sin City’ ends summer with style, no substance
By
Film Critic
Load More Stories
Close
Close Modal Window
Close