The Columbia Chronicle

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‘Holy Motors’’ dizzying narrative will divide audiences

By Sam Flancher

October 21, 2012

The divisiveness of “Holy Motors” was evident at its premiere at the 2012 Cannes Film Festival.Met equally with cheers and boos, veteran French director Leos Carax’s film of audacious, polarizing proportions refuses critical consensus. With its grand assemblage of generic elements, “Holy Motors” frustrates as often as it astounds.The film begins with an image of Carax in a dream state as he surveys a movie theate...

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