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LA CRÓNICA
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Review: ‘Borat: Subsequent Moviefilm’ is the perfect time capsule for 2020’s nonsense
By
Isaiah Colbert
, Staff Reporter
October 28, 2020
Review: Ajani Jones delivers his most personal record with ‘Kenya’ EP
By
Ryan Rosenberger
, Staff Reporter
October 26, 2020
Review: ‘Antebellum,’ how ‘show-don’t-tell’ does not work for a movie with lots to say
By
Isaiah Colbert
, Staff Reporter
September 29, 2020
Review: Vic Spencer and SonnyJim take listeners back to basics in ‘Spencer for Higher 3’
By
Ryan Rosenberger
, Staff Reporter
September 15, 2020
Review: ‘Chemical Hearts’ yields a negative reaction
By
Paige Barnes
, Audience Engagement Editor
August 27, 2020
Review: Roots’ pizza doesn’t have a ‘pizza’ my heart
By
Paige Barnes
, Audience Engagement Editor
July 22, 2020
Grant Park Advisory Council establishes subcommittee to review statues and monuments
By
Ryan Rosenberger
, Staff Reporter
July 15, 2020
Review: ‘Da 5 Bloods,’ a challenging exploration of fact and fiction
By
Jonah Ocuto
, News Editor
June 19, 2020
Review: ‘American Gun: A Poem by 100 Chicagoans’ locks change in the revolver
By
Summer Hoagland-Abernathy
, Copy Editor
May 18, 2020
Review: The many issues with the Netflix docu-series ‘Tiger King’
By
Brooklyn Kiosow
, Copy Editor
April 10, 2020
Review: Vundabar masters the art of variety in ‘Either Light’
By
Ella Watylyk
, Copy Editor
March 30, 2020
Review: ‘The microcosm of South Shore,’ a literary coming-of-age in Gabriel Bump’s ‘Everywhere You Don’t Belong’
By
Margaret Smith
, Opinions Editor
March 25, 2020
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